By Sarah J. Jackson

Shifting understandings and ongoing conversations approximately race, superstar, and protest within the twenty-first century demand a more in-depth exam of the evolution of dissent via black celebrities and their reception within the public sphere. This publication specializes in the way in which the mainstream and black press have lined instances of arguable political dissent via African American celebrities from Paul Robeson to Kanye West. Jackson considers the next questions: 1) What designated employer is obtainable to celebrities with racialized identities to provide opinions of yankee tradition? 2) How have newshounds in either the mainstream and black press restricted or facilitated this company via framing? What does this say concerning the various function of journalism in American racial politics? three) How have framing developments concerning those figures shifted from the mid-twentieth century to the twenty-first century? via a sequence of case reports that still contains Eartha Kitt, Sister Souljah, and Mahmoud Abdul-Rauf, Jackson illustrates the transferring public narratives and ancient moments that either restrict and permit African American celebrities within the wake of constructing public politicized statements that critique the authorized racial, monetary, and armed forces platforms within the United States.

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Black Celebrity, Racial Politics, and the Press: Framing Dissent (Routledge Transformations in Race and Media) by Sarah J. Jackson


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