By Scott Balcerzak
Balcerzak starts via defining the actual buffoonish masculinity portrayed by way of early movie comedians, a gender and style build prompted by means of the cultural anxieties of the Nineteen Thirties and '40s. In bankruptcy 1, he considers the onscreen pairing of W. C. Fields and Mae West to spot a queered sexuality and drag personality in Fields's functionality, whereas in bankruptcy 2 he examines the 2 significant structures of Fields's movie persona-the self assurance guy and the husband-to exhibit Fields to be a conflicted and subversive determine. In bankruptcy three, Balcerzak considers the assimilation and impact of Eddie Cantor as a Jewish star, whereas he turns to the cross-media effect of Jack Benny's radio personality in bankruptcy four. In Chapters five and six, he strikes past the person performer to ascertain the complicated masculine brotherhood of comedy duos Laurel and Hardy, Abbott and Costello, and Bert Wheeler and Robert Woolsey.
Buffoon males indicates that the advanced heritage of the male comic throughout the early sound period has a lot to inform us approximately multimedia comedic stars this day. enthusiasts and students of movie heritage, gender experiences, and broadcast experiences will have fun with Balcerzak's thorough exploration of the era's attention-grabbing gender constructs.
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Additional resources for Buffoon Men: Classic Hollywood Comedians and Queered Masculinity (Contemporary Approaches to Film and Media Series)
Buffoon Men: Classic Hollywood Comedians and Queered Masculinity (Contemporary Approaches to Film and Media Series) by Scott Balcerzak