By S. Craig

Cinema After Fascism considers how postwar eu motion pictures look ambivalently backward from the postwar interval to the fascist period and delves into problems with gender certainties and spectatorship. during this interval of movie, regular constructions of epistemology and historiography reappear as ghostly imprints on postwar celluloid, and the remnants of fascist subjectivity stroll the streets of postwar towns. via new views at the motion pictures of Roberto Rossellini, Billy Wilder, Carol Reed, Alain Resnais, and Marguerite Duras, this e-book examines the ways that filmmakers recognize the fascist earlier. Siobhan S. Craig unearths that the makes an attempt to reconfigure the idioms of cinema are by no means absolutely naturalized and stay hugely precarious constructions.

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Cinema after Fascism: The Shattered Screen (Studies in European Culture and History) by S. Craig


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