By Mia Mask

Contemporary Black American Cinema offers a clean choice of essays on African American movie, media, and visible tradition within the period of worldwide multiculturalism. Integrating concept, heritage, and feedback, the contributing authors deftly attach interdisciplinary views from American experiences, cinema stories, cultural stories, political technological know-how, media stories, and Queer concept. This multidisciplinary method expands the discursive and interpretive registers of movie research. From Paul Robeson’s and Sidney Poitier’s famous person automobiles to Lee Daniels’s directorial forays, those essays tackle the profession legacies of movie stars, study a variety of iterations of Blaxploitation and animation, query the comedic politics of "fat go well with" motion pictures, and have a good time the innovation of avant-garde and experimental cinema.

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Contemporary Black American Cinema: Race, Gender and Sexuality at the Movies by Mia Mask


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