By John Fawell

In the method of offering the main large research of Alfred Hitchcock’ s Rear Window to this point, John Fawell additionally dismantles many myths and cliché s approximately Hitchcock, quite in regard to his angle towards women.

            

Although Rear Window masquerades really effectively as a section of sunshine leisure, Fawell demonstrates simply how complicated the movie quite is. it's a movie during which Hitchcock, the consummate virtuoso, was once in complete command of his method. one in all Hitchcock’ s favourite motion pictures, Rear Window provided the correct venue for the nice director to completely use the methods and ideas he received over his past 3 a long time of filmmaking. but strategy on my own didn't make this vintage movie nice; considered one of Hitchcock’ s such a lot own motion pictures, Rear Window is characterised by way of nice intensity of feeling. It deals glimpses of a sensibility at odds with the picture Hitchcock created for himself— that of the grand ghoul of cinema who mocks his viewers with a slick and sadistic style.

 

Though Hitchcock is usually categorized a misanthrope and misogynist, Fawell unearths facts in Rear Window of a sympathy for the loneliness that results in voyeurism and crime, in addition to an empathy for the movie’ s ladies. Fawell emphasizes a extra feeling, humane spirit than both Hitchcock’ s critics have granted him or Hitchcock himself admitted to, and does so in a fashion of curiosity to movie students and basic readers alike.

   

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Hitchcock's Rear Window: The Well-Made Film by John Fawell


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