By Gian Maria Annovi

Mysteriously murdered in 1975, Pier Paolo Pasolini turned famous—and infamous—not just for his groundbreaking movies and literary works but additionally for his homosexuality and feedback of capitalism, colonialism, and Western materialism. In Pier Paolo Pasolini, Gian Maria Annovi revisits Pasolini’s multimedia oeuvre, together with poetry, narrative and documentary movie, theater, and portray, in addition to provocative and infrequently scandalous essays on politics, artwork, literature, and conception. Annovi specializes in Pasolini’s illustration of himself as an writer and the cultivation of a significantly adversarial stance towards what he observed as different types of inventive, social, and cultural oppression. He translates Pasolini’s authorial functionality as a masochistic act that elicited rejection and generated hostility to spotlight the contradictions that constitution a repressive society.

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Pier Paolo Pasolini: Performing Authorship by Gian Maria Annovi

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