By Ewa Mazierska

This booklet explores well known tune in jap Europe throughout the interval of nation socialism, in nations resembling Poland, Hungary, Yugoslavia, Romania, Czechoslovakia, the GDR, Estonia and Albania. It discusses the coverage pertaining to track, the best japanese ecu stars, comparable to Karel Gott, Czesław Niemen and Omega, in addition to DJs and the track press. through undertaking unique examine, together with interviews and studying archival fabric, the authors take factor with definite assumptions triumphing within the current stories on renowned song in jap Europe, particularly that it used to be mostly in accordance with imitation of western track and that this track had a incredibly anti-communist flavour. as an alternative, they argue that self-colonisation used to be observed with developing an unique idiom, and that the country not just fought the artists, but additionally supported them. the gathering additionally attracts awareness to the overseas successes of japanese ecu stars, either in the socialist bloc and outdoors of it.


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Popular Music in Eastern Europe: Breaking the Cold War Paradigm (Pop Music, Culture and Identity) by Ewa Mazierska

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