By Williams Tony

This quantity deals the 1st complete survey of the cinema of Evans Chan, a brand new York–based playwright, writer, and filmmaker whose acclaimed movies comprise To Liv(e), The Map of intercourse and Love, and Datong. during this choice of essays on Chan's documentary and have movies seven specialists on cultural and movie stories study the original mixing of fictional illustration, old research, and significant essayism that signify Chan's oeuvre. They talk about how Chan’s paintings brings out the contradictory nature of the far away and up to date earlier via his exploration of Hong Kong's quick transformation ahead of and after reunification with China in 1997. the amount concludes with an interview with Evans Chan on his paintings so far and comprises DVDs containing 5 of his most crucial motion pictures.

The booklet will attract students and scholars who're drawn to China and Hong Kong cinema, postcolonial reviews, cultural reviews, and diaspora reports.

Tony Williams is a professor and quarter head of movie reviews within the division of English, Southern Illinois college at Carbondale. he's the writer of John Woo's Bullet within the Head (2009) and editor of George A. Romero: Interviews (2011).

"Covering a wide variety of subject matters and concerns that make clear the classy, sociopolitical and highbrow dimensions of Chan's paintings, the person chapters give a contribution to a collective mirrored image at the formal characteristics of Chan's cinematic paintings, specifically his inventive use of the movie essay as a method of creative expression. The essays have sought out the latent aesthetic and highbrow impulses that tell Chan's cinematic vision."—Vivian Lee, writer of Hong Kong Cinema on the grounds that 1997: The Post-Nostalgic mind's eye

"This attention-grabbing anthology is a much-needed exam of Chan's eminent but underappreciated cinema. the amount illuminates his filmmaking from a couple of angles, enriching our figuring out of his complicated engagement with chinese language politics, heritage, and the essay movie. Capped by means of a finished interview with Chan himself, this critical quantity does complete justice to at least one of Hong Kong's such a lot literate and literary filmmakers.”—Gary Bettinson, writer of The Sensuous Cinema of Wong Kar-wai and editor of the magazine Asian Cinema

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Postcolonialism, Diaspora, and Alternative Histories: The Cinema of Evans Chan by Williams Tony


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