By Sarah Nilsen

The Brussels World’s reasonable used to be probably crucial propaganda occasion to be staged for eu allies within the Eisenhower years; his management considered tradition as a weapon within the conflict opposed to communism. This publication examines the serious position of movie within the info conflict waged opposed to the Soviets within the American pavilion on the reasonable. The management sought to create a visible rendition of the US that was once arresting and inspirational; movie was once used as a mode of political persuasion.

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Projecting America, 1958: Film and Cultural Diplomacy at the Brussels World’s Fair by Sarah Nilsen

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