By Anne E. Duggan
In each one bankruptcy, Duggan examines how Demy strategically unfolds, demanding situations, and teases out the subversive traits of fairy-tale paradigms. In bankruptcy 1, Duggan reads Demy's Lola and The Umbrellas of Cherbourg throughout the lens of "Cinderella" and "Sleeping Beauty," whereas in bankruptcy 2, she explores Demy's revision of Charles Perrault's "Donkey dermis" from the actual attitude of homosexual aesthetics. In bankruptcy three, Duggan situates Demy's rendition of The Pied Piper on the subject of a particularly Franco-American culture of the legend, which so far has no longer bought serious realization. ultimately, in bankruptcy four, she examines the ways that Demy's Lady Oscar represents the undoing of the determine of the maiden warrior. An epilogue reads Demy's fairy-tale cinema as exemplary of the postmodern tale.
Duggan exhibits that Demy's cinema heightens the inherent tensions and problems that have been already found in fairy-tale texts and makes use of them to demonstrate either the restrictions and utopian chances of the fairy story. either movie and fairy-tale reports students will take pleasure in Duggan's clean examine the distinct cinema of Jacques Demy.
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Extra resources for Queer Enchantments: Gender, Sexuality, and Class in the Fairy-Tale Cinema of Jacques Demy (Series in Fairy-Tale Studies)
Queer Enchantments: Gender, Sexuality, and Class in the Fairy-Tale Cinema of Jacques Demy (Series in Fairy-Tale Studies) by Anne E. Duggan