By A. Grønstad

Tracing the upward thrust of maximum artwork cinema throughout movies from Lars von Trier's The Idiots to Michael Haneke's Caché, Asbjørn Grønstad revives the debate concerning the position of negation and aesthetics, and reframes the concept that of spectatorship in moral terms.

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Screening the Unwatchable: Spaces of Negation in Post-Millennial Art Cinema by A. Grønstad


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