By Frank den Oudsten

Making exhibitions is a collaborative artwork, generating is a multi-layered solidarity of principles and gadgets, of invention and manifestation, of content material and shape. in spite of the fact that, there's an adverse size to it, simply because content material and shape are often represented by means of the totally diverse geographical regions of curator and clothier. destiny winning advancements in exhibition-making are depending on no matter if this hole of antagonism might be bridged. space.time.narrative demands a paradigmatic shift of concentration. It places ahead a different procedure, breaking down conventional boundaries and delivering a wide-ranging theoretical context, redefining and increasing the parameters and the dynamics of the exhibition-format when it comes to an open, narrative surroundings, which at its roots monitors deep similarities with functionality on level, or deploy in city and rural house. The e-book breaks new flooring via the exhibition as a cultural structure first of all inside an excellent sweep of the humanities more often than not, weaving an online of philosophical, museological, linguistic and media-theoretical references, which expands the contextual box of the career. It then bargains certain and critical insights from inside, in severe close-up, through bringing jointly interviews with six of the prime exhibition designers who speak about the dynamics of the medium, its interactive dimensions, the delicate parameters of the exhibition, and the way to familiarize yourself with the structure as a posh narrative area, within which the general public takes half. Curator and dressmaker may still reposition themselves professionally on the middle of the axis, which divides (or connects) content material and form.

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space.time.narrative: the exhibition as post-spectacular stage by Frank den Oudsten


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