By Elena del Río
Her research diverges from the present literature on severe cinema via its collection of movies, which come with key overseas examples, and during its foregrounding of relational, affective politics over representations of sexuality and photo violence. exact formal and philosophical analyses of flicks like The White Ribbon, Dogville, Code Unknown, conflict in Heaven, Sonatine, Fireworks, Dolls, Takeshis', Inland Empire and Melancholia are intended to maneuver us clear of the ethical appraisal of violence and destruction, and to compose an ethological philosophy of cinema in line with Deleuze's concept that, "when fact and judgment collapse, there stay our bodies, that are… not anything yet forces.”
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Extra info for The Grace of Destruction: A Vital Ethology of Extreme Cinemas (Thinking Cinema)
The Grace of Destruction: A Vital Ethology of Extreme Cinemas (Thinking Cinema) by Elena del Río