By M. Inchley

In New Labour's empathetic regime, how did varied voices scrutinize its etiquettes of articulation and audibility? utilizing the voice as cultural proof, Voice and New Writing explores what it potential to 'have' a voice in mainstream theatre and for newly integrated voices to barter with the associations that 'find' and 'represent' their identities.

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Voice and New Writing, 1997-2007: Articulating the Demos by M. Inchley

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